YILE ZENG

In the animation part, I merged extreme illusion with extreme reality. I myself appeared with the ugliest face, while the flowers appeared in the most ethereal and free form. The two contradictions were embodied in a unified form at the end of the animation, and then the antagonism disappeared. "I" became a part of the flower, a sharp and thorny stamen. In the creating process, I first learned to use the 3D animation software Blender. From the definition of “the other” to social discipline, then to the flower departing from the body to wander in the city streets, the two finally met in different time and space, merged into one, the body was accepted by the flower, and the reality found its destination in the dream.